Dom La Nena

Dom La Nena



“Dom La Nena played and sang nearly every note on her haunting new album, “Tempo,” by herself, in layers of plucked and bowed cello lines, sprinkles of piano notes and whispery vocals in French, Spanish and Portuguese.”

The New York Times

“…traverses through a dreamy world of sensations with sophisticated looping techniques and layering vocals…”


“La Nena puts her talents as a producer to full use, employing minimalist arrangements to maximum effect. A soft yet warm and uplifting folk sound.”

– Complex 

“{Dom La Nena} has built almost an entire album out of just two sounds – her voice and her cello. But you’d never know it: Tempo has the sound of the orchestral pop of the 60s, as well as referring to waltzes, tangos, Latin popular song, and JS Bach.”

– John Schaefer, New Sounds WNYC

“An album that shines in its brilliance and its control.”

– Atwood Magazine

“With Tempo, Pinto has created a collection of tracks that cement her place in the Latin American songbook, all of them radiating whimsy and magic.”

– Bandcamp ‘Album of the Day’

“On her new album Tempo, the geographic lengths to which she has gone to hone her skills continue to pay off as she crafts some of her most sophisticated songs to date.”

– PopMatters

“An album of graceful, peaceful, and gentle poetic songs. She combines dream pop, chamber string music and South American rhythms from Brazil, Uruguay and Argentina with tremendous ease.”

– World Music Central








The multi-talented singer, songwriter, producer, and cellist, Dom La Nena’s new album, Tempo, is about time.  With the new album the Brazilian-born, Paris-based artist created a series of small, crystalline moments – sometimes sunny, often dreamy, and occasionally laced with that beautiful nostalgia the Brazilians call saudade. The new album out now on Six Degrees Records.

Singles “Quién Podrá Saberlo” ft. Julieta Venegas, “Todo Tiene Su Fin,” which first debuted with Complex and the multi-lingual lead single ‘Oiseau Sauvage,’ out now, all center around the album’s core theme of time. The new album, Tempo is La Nena’s third full-length release, after 2013’s critically acclaimed Ela, and her internationally-flavored indie-folk collection called Soyo in 2015. Dom is also half of the duo called Birds On A Wire with Rosemary Standley (lead vocalist of the band Moriarty). Together, they have built a songbook from the baroque Henry Purcell to Leonard Cohen, passing by Gilberto Gil, Tom Waits, and Violeta Parra. They have released two albums (Birds on a Wire – 2014- and Ramages -2020) that are very successful in France, where they’ve been touring for almost 10 years. Add to that her time spent playing with Jane Birkin, Jeanne Moreau, Marcelo Camelo (from Brazilian band Los Hermanos) or Piers Faccini, and you have an artist with an eclectic, multi-lingual style that’s hard to define but easy to like.

With its blend of pop, world, and chamber music, you may hear Tempo as a response to, or a respite from, difficult times.  And you wouldn’t be wrong, although La Nena says that wasn’t intentional. “Composing and writing are a mysterious and very unconscious process for me. Everything in my life is a source of inspiration and has had an influence on my music and lyrics. I’ve become a mother recently and it has raised a lot of questions about the value of time and life. Consequently some of these questions are very present on the album: Birth, anticipation, aging, death” comments Dom La Nena.

Tempo may sound like a lush tapestry of synthesizers, strings, and percussion instruments but really the album is a remarkable display of Dom La Nena’s arranging and orchestrating abilities. She created all the sounds on the album herself, using layers of her voice, her cello, and a few piano parts.  Even the percussion sounds were made on the cello. “My intention on this album was to explore new ways to use my instrument, to change the original sound of the instrument and take it somewhere else,” she says.


The album starts innocently enough, with the title track.  “Tempo” acknowledges the cello’s Baroque roots and pairs it with layers of Dom’s vocals. “For the first time I had the desire to compose instrumental music.  In the same way that I’ve tried to bring my cello far from his usual sonority, I also wanted to explore new musical genres.”

Of course, there are lyrics on most of the songs, and in typical Dom La Nena fashion, those lyrics can be in Portuguese, Spanish, or French – or, as she points out, a mix of the three. “It is very difficult to explain because it’s not something I control. The music makes the demand to match the sounds, the words, the specific language rhythms.”

Julieta Venegas joins her on “Quién Podrá Saberlo” with overlapping vocals, clapping, and dreamy cello arrangements to create a sonically stunning song.  And by the time we get to the eerie, almost Near Eastern-sounding “Moreno,” La Nena is creating drones, percussion and what sounds like mallet instruments from her cello and effects.

An album about time could be an impossible mission, but La Nena has written many of these songs about specific moments in time. She has long been a gifted producer and arranger, and in stripping back the instrumental textures on this album, she displays a sure hand in the control room. Despite the restricted sonic palette, La Nena creates a wide range of sounds: the jaunty “Oiseau Sauvage,” with its lilting vocal line; the waltzing bowed and plucked cellos of “Valsa”; the heart of her daughter on “Esperando Alma” and “Teu Coração” and the up tempo but still relaxed mood of “Vejo Passar.”  Melting vocal harmonies color the song “Doux De Rever,” a song about growing older.  And the subtle interplay of pizzicato cello, cello-percussion, and piano supports Dom La Nena’s multi-part vocals on the album’s closer, “Milonga,” which she describes as a song about “death and transition.” And in an album that’s all about moments in time, none of these moments overstays its welcome.

Tempo marks the return of a distinctive and exceptional musician. It’s about time.


Order/Save Tempo

“Like the rest of the album, La Nena puts her talents as a producer to full use, employing minimalist arrangements to maximum effect. With a light touch, she uses just a few core elements — a gentle cello melody and her feather-light vocals form the core, rounding them out with wordless vocals and a few subtle production flourishes to create a soft yet warm and uplifting folk sound.” – Complex

“This first single is one of sincerity and beauty, and if Tempo carries the same majestic quality, 2021 is already looking all the much brighter.” – Atwood Magazine

“The graceful three-language song (Spanish, Portuguese, French) and first single off her upcoming album Tempo, traverses through a dreamy world of sensations with sophisticated looping techniques and layering vocals as the song dwells on mother-offspring emotions through a cinematic video directed by Jeremiah (R.E.M.) in collaboration with French magician Etienne Saglio.” – Billboard




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